Kontakt 4 - 393,4 MB unzipped - 48Khz/24Bit/stereo - 5 nkis/Instruments
328 Samples compressed using Kontakt 4's ncw format
(767 MB uncompressed) - 3 Impulse Responses
Price: € 20 EUR

Note: customers owning a license for my sound library Scattered Entity Vol. 1 can get this library at a 70+% discount. Please use the paypal button below to get the discounted price.

 

This library contains 328 Celtic Harp samples from my library Scattered Entity Vol. 1 for MachFive 3. A celtic harp with 27 strings (3.5 octaves) was multisampled in 48 Khz/24 Bit using 3 Neumann Microphones (L-C-R), a U87 for the centre and a stereo set of KM-184 for the sides.

Instruments

Celtic Harp Bisbigliando

Playing a long bisbigliando (tremolo) on 2 equally tuned strings on the celtic harp, every C and G in each octave was sampled, lowest and highest notes are extended so the instrument has a range from C1 - C6.

Controls:
The Pitchbender is set to +/- 2 semitones

• Knob 1 - Attack time
• Knob 2 - Release time
• Knob 3 - LFO-controlled pan modulation
• Knob 4 - LFO-controlled modulation of highpass filter
• Knob 5 - Low EQ
• Knob 6 - High EQ
• Knob 7 - Phaser amount
• Knob 8 - Reverb send

Celtic Harp Dorian Glissandi

Celtic harp tuned to a dorian scale - 7 glissandi split across the keyboard between C-1 - C7, reverse the sample with keyswitch B-2.

Controls:
The Pitchbender is set to +/- 1 octave

• Knob 1 - Release
• Knob 2 - Low EQ
• Knob 3 - High EQ
• Knob 4 - LP Cutoff
• Knob 5 - LFO-controlled pan modulation
• Knob 6 - Chorus amount
• Knob 7 - Reverb send
• Knob 8 - Reverb size

Celtic Harp Glissandi KS

Six keyswitchable layers with celtic harp glissandi.

Layer 1 - Keyswitch C0 - rising glissandi major scale

• G1 - F#2 upwards glissandi multiple gliss segments version 1
• G 2 - F#3 upwards glissandi multiple gliss segments version 2
• G3 - F#4 - upwards gliss single version 1
• G4 - F#5 - upwards gliss single version 1

Layer 2 - Keyswitch D0 - falling glissandi major scale

• G1 - F#2 - upwards glissandi multiple gliss segments version 1
• G2 - F#3 - upwards glissandi multiple gliss segments version 2
• G3 - F#4 - upwards gliss single version 1
• G4 - F#5 - upwards gliss single version 1

Layer 3 - Keyswitch E0 - rising glissandi minor hamonic scale
same mapping as above
Layer 4 - Keyswitch F0 - falling glissandi minor hamonic scale
same mapping as above
Layer 5 - Keyswitch G0 - rising glissandi minor melodic scale
same mapping as above
Layer 6 - Keyswitch A0 - falling glissandi minor melodic scale
same mapping as above

Controls:
The Pitchbender is set to +/- 1 octave

• Knob 1 - Release
• Knob 2 - Low EQ
• Knob 3 - High EQ
• Knob 4 - LP Cutoff
• Knob 5 - LFO-controlled pan modulation
• Knob 6 - Chorus amount
• Knob 7 - Reverb send
• Knob 8 - Reverb size

Celtic Harp

Celtic harp sampled at 3 velocity layers and 4x round robin. The harp was tuned to Cmj, all 7 notes per octave were sampled from B1 - E5. To extend the range, samples from the octave above/below were copied, keeping the root notes the same, so this instrument ranges from C1 - C6. The highest velocity was plucked with the fingernail, so it has an edgy sound with a small gliss, reminding of a banjo or an asian string instrument.

Controls:
The Pitchbender is set to +/- 2 semitones

• Knob 1 - Attack time
• Knob 2 - Release time
• Knob 3 - Low EQ
• Knob 4 - High EQ
• Knob 5 - Reverb Mix
• Knob 6 - Reverb size
• Knob 7 - Chorus amount
• Knob 8 - Chorus rate

Harpgliss Drone

A sequence of accents played on the celtic harp while moving the tuning lever up and down for semitone glissandi and great rattling noises. This patch is running in Time Machine 2 mode, a rectangular-shaped LFO modulates the samples speed, various filters are engaged.

Controls:
The Modwheel adds random pitch modulation
The Pitchbender is set to +/- 1 octaves

• Knob 1 - Attack time
• Knob 2 - Release time
• Knob 3 - speed of the LFO-controlled modulation of the vowel filter
• Knob 4 - overall sample speed
• Knob 5 - Highpass filter cutoff
• Knob 6 - Lowpass filter cutoff
• Knob 7 - Delay FX
• Knob 8 - Reverb send

The demo was produced using three patches from this library, no post-processing whatsoever was applied apart from a Limiter on the Master Outs in Logic.

 

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